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| Courtesy of Carl T. Ford |
Until recently, I thought Sean Manchester's earliest written account of the Highgate Vampire was 'The haunting of Hell House' and his contribution to Peter Underwood's The vampire's bedside companion (both 1975).
That is, until a serendipitous eBay search for 'Highgate vampire' by Redmond McWilliams turned up a startling find: Witchcraft, vol. 2, no. 8 (1973). 'THIS IS ONE OF THE MORE COLLECTIBLE ISSUES AND EXTREMELY HARD TO COME BY,' reads its description, 'AS IT FEATURES AN ARTICLE ON VAMPIRES, INCLUDING THE HIGHGATE VAMPIRE AND THE OCCULT BY SEAN MANCHESTER INCLUDING A BEARDED SEAN MANCHESTER'. The issue's on sale for £75.
Witchcraft (1971–1974) was New Witchcraft's antecedent—the latter published 'The haunting of Hell House'; David Farrant's 'Invoking the vampire' appeared in the same issue. As Tom Brinkmann notes in his not-safe-for-work-or-children article, magazines like Witchcraft were basically 'adult slicks', that 'picked up the satanic/devilish theme' popular at the time.
The content of Manchester and Farrant's articles were later subsumed by their respective self-published material, The Highgate vampire (1985; 1991) and Beyond the Highgate vampire (1991; 1992; 1997), respectively. Both expose the subsequent revisions to their accounts, effectively illustrating the importance of collating contemporaneous material on this case is.
But this find—and I can tell ya, it's a doozy—is now the earliest-known account of the Highgate case by Manchester. I've sourced a copy of the article: it's called 'The world of the vampire' and appears on pages 52–55. The alleged 22-year-old vampire victim, 'Lusia'—as she's addressed and captioned in Manchester's post-1973 accounts—is revealed to be Jacqui Frances, 'a pretty 22-year-old blonde'.1 Readers will immediately recognise 'Jacqui' as Jacqueline Cooper, who's mentioned several times in Don Ecker's report (pdf).
Ecker's report backs Farrant's allegation 'that Manchester had a romantic interest in her and she was named in Manchester’s divorcing his then wife', Marie Manchester, by including their divorce certificate, which refers to 'Jacqueline Frances (Cited as Jacqueline Francis) Manchester (Formerly Cooper)'. Was Manchester making cryptic references to this relationship when he dubbed her 'Model and girlfriend who had a very sultry look — and green eyes'? After all, you wouldn't know it was Jacqui, unless you're familiar with her other pictures.
This makes Manchester's dispassionate reference to 'A photographic model, and, much later, actresses, portrayed Lusia in representations of her in depictions of the mysterious events which came to be known collectively as the case of the Highgate Vampire', somewhat laughable—and, perhaps, very telling.
After all, Jacqui's appearance in Manchester's 1975 and 1985 accounts wasn't prefaced with her 'role': she's captioned 'Lusia' over and over again. Indeed, one of the 'Lusia' photos—in which her 'sultry' eyes are offset by an Iron Cross adorning her décolletage—has been recycled from the 1973 article. What's distinctive about the article, however, is there's little legroom for the retrofitted 'model' claim in Manchester's online account.
Not only is the aforementioned picture captioned with her actual name, but the text describes Jacqui as someone who'd 'come face to face with the Highgate Vampire.'2 However, her subsequent tale shares more in common with the dark-figure-scared-by-oncoming-headlights motif found in several anonymous accounts related by Manchester and Farrant, rather than her 'somnambulating' along Swains Lane, feelings of suffocation at night and pinpricks in her neck, latterly described.3
Ecker's report backs Farrant's allegation 'that Manchester had a romantic interest in her and she was named in Manchester’s divorcing his then wife', Marie Manchester, by including their divorce certificate, which refers to 'Jacqueline Frances (Cited as Jacqueline Francis) Manchester (Formerly Cooper)'. Was Manchester making cryptic references to this relationship when he dubbed her 'Model and girlfriend who had a very sultry look — and green eyes'? After all, you wouldn't know it was Jacqui, unless you're familiar with her other pictures.
This makes Manchester's dispassionate reference to 'A photographic model, and, much later, actresses, portrayed Lusia in representations of her in depictions of the mysterious events which came to be known collectively as the case of the Highgate Vampire', somewhat laughable—and, perhaps, very telling.
After all, Jacqui's appearance in Manchester's 1975 and 1985 accounts wasn't prefaced with her 'role': she's captioned 'Lusia' over and over again. Indeed, one of the 'Lusia' photos—in which her 'sultry' eyes are offset by an Iron Cross adorning her décolletage—has been recycled from the 1973 article. What's distinctive about the article, however, is there's little legroom for the retrofitted 'model' claim in Manchester's online account.
Not only is the aforementioned picture captioned with her actual name, but the text describes Jacqui as someone who'd 'come face to face with the Highgate Vampire.'2 However, her subsequent tale shares more in common with the dark-figure-scared-by-oncoming-headlights motif found in several anonymous accounts related by Manchester and Farrant, rather than her 'somnambulating' along Swains Lane, feelings of suffocation at night and pinpricks in her neck, latterly described.3
Thanks to this find, we now have six primary Manchester narratives to wade through:
- 'The world of the vampire', Witchcraft, vol. 2, no. 8, 1973, pp. 52–5.
- 'The haunting of Hell House', New Witchcraft, vol. 1, no. 4, 1975, pp. 51–5.
- 'The Highgate vampire', in P Underwood (ed.), The vampire’s bedside companion: the amazing world of vampires in fact and fiction, Leslie Frewin, London, 1975, pp. 81–121.
- The vampire exhumed, an unpublished typescript, 1980.4
- The Highgate vampire: the infernal world of the undead unearthed at London’s famous Highgate Cemetery and environs, British Occult Society, London, 1985.
- The Highgate vampire: the infernal world of the undead unearthed at London’s Highgate Cemetery and environs, rev. edn, Gothic Press, London, 1991.
Many 'alterations' are sure to turn up on closer examination. Famed horror writer, Ramsey Campbell, found many between the 1985 and 1991 editions, alone. I've noticed quite a few, myself.
What concerns me, though, is that if this article was found by fluke, who know what other narratives Manchester has floating about. As if there wasn't enough material to sift through.
What concerns me, though, is that if this article was found by fluke, who know what other narratives Manchester has floating about. As if there wasn't enough material to sift through.
1. S Manchester, 'The world of the vampire', Witchcraft, vol. 2, no. 8, 1973, p. 53.↩
2. ibid. See also, caption accompanying picture on same page: 'Jacqui Frances came face to face with the Highgate Vampire.'↩
3. S Manchester, 'The Highgate vampire', in P Underwood (ed.), The vampire’s bedside companion: the amazing world of vampires in fact and fiction, Leslie Frewin, London, 1975, p. 107.↩
4. MV Riccardo, Vampires unearthed: the complete multi-media vampire and Dracula bibliography, The unexplained, the mysterious, and the supernatural: series of topical bibliographic guides to anomalies, vol. 2, Garland reference library of social science, vol. 177, Garland Publishing, Inc., New York, 1983, p. 96.↩
4. MV Riccardo, Vampires unearthed: the complete multi-media vampire and Dracula bibliography, The unexplained, the mysterious, and the supernatural: series of topical bibliographic guides to anomalies, vol. 2, Garland reference library of social science, vol. 177, Garland Publishing, Inc., New York, 1983, p. 96.↩
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